We've exhaustively researched all our gear to find the best value for money out there - to pass on the exceptional quality and surprisingly low cost to you. There's nothing in our studio that we wouldn't buy again. And if you're interested in how we made our decisions, ask us! We'd be more than happy to help you figure out what you should start with if you're starting a studio.

(looking for pictures of the studio?) Drums and percussion:
Taye TourPro 6pc. drumkit
Sabian cymbals (AA fusion hats, AAX studio crash, AA splash, AA china splash)
Zildjian cymblas (K Constantinople ride, legacy crash)
Yamaha Dave Garibaldi signature piccolo snare drum
Yamaha double kick pedal
Peter Ernskie signature cowbell
RythmTech Studio shaker

Guitars and amps:
Ernie Ball Music Man Axis guitar
Fender Stratocaster (mexican made)
Flying electric guitar
Geddy Lee signature bass guitar
Roland JC-120 amplifier
Marshall valvestate VS100 head
Boss GT-8 guitar effects processor

Keyboards:
M-Audio Keystation 61 MIDI controller

CAD drum and instrument microphones (dynamic and condenser)
Sennheizer vocal/instrument mic
ART TPSIII tube preamps

Yamaha 01x mLAN digital audio workstation
Lexicon MPX 100 effects processor
Mackie Tracktion 2
Mackie effect libraries (including their famous multiband compressors)
Yamaha effect libraries (including their stellar Final Master plug-in)
Third party plug-ins (samplers, synths, etc)

Yorkville YSM 1P reference monitors (control room)
ProSonus headphone distribution amp (so everyone can hear themselves LOUD and clear)
Dedicated talkback mic
Assorted headphones
Proprietary monitoring system

Why are the Red Flame studios in... a basement? Of... a house? Why not a custom built building somewhere? Why not build something with superb sonic qualities that turns every chord strummed into pure nirvana? Well, there's three answers:

1. Money. It costs more to build a custom building and equip it. Generally the only artists that record in such facilities are those that have a record label behind them. And honestly, we're not looking to record for huge label acts. We'd rather deal with the down to earth, authentic guys that are going to change the face of music in a few more years.
   
   
2. Comfort. Here, your rehearsal space and your recording space are one and the same. You practice with mics all around you. You joke with the band, work up the songs, and figure out what goes where all in a comfortable environment. Then, when it's time to record, you just do the same thing, and we press a button. A big amazing space will have certain sonic advantages, but there's one big drawback: nerves. No matter how nice the room is, if you're nervous coming in, you'll play poorly. We can fix sonic problems. We can't fix a poor performance.
   
   
3. Time. In a big studio you're pressed for time. You can only afford so much, so everything is rush rush rush. If you don't lay down a nice track, you have to keep going. What happens if you have a bad day? You get a bad track. What happens if you have a bad WEEK? You get a bad album. Here, we offer flexible timetables. We'll advise you on what generally works best, but we know independent musicians can't drop everything to record. You still have to work, and you still have to play shows. Recording is a way of preserving a moment in the life of a band for the fans, not a giant "everything else must go" procedure.